Studies have found that a majority of humans share physiological reactions to certain colors.
These responses are different from psychological associations viewers have with colors which will are dependent upon experiences and culture. Physiological responses have to do with the way the viewer’s body responds, for example creating calm or excitement.
A physiological response to red is to feel stimulated or aggressive, passionate or dangerous, while psychological associations with red include love and wealth. Take a look at pages incorporating colors aimed at evoking physiological responses that support the page subject.
- BLACK: Powerful, strong, commanding, ominous, depressing.
- BLUE: Calming, comforting, soothing. People are more productive in blue rooms. Weight lifters can lift more in blue gyms.
- GREEN: Refreshing, quiet, natural, calming. That’s why they have “green” rooms at TV studios for performers to wait in.
- RED: Stimulating, exciting, aggressive, dominant, dynamic, passionate, dangerous.
- PINK: Tranquilizing. Some sports teams have painted the opponents’ locker room pink to sap their energy and dangerous criminals have been housed in pink cells.
- YELLOW: Cheerful but it’s the most difficult color for the eye to take in. People lose their tempers more often in yellow rooms, and babies cry more.
- WHITE: weak, passive, pure
BLACK: Powerful, strong, commanding, ominous, depressing. Christy Strickler says, “I used black here because it is a commanding, strong color perfect for masculine layouts. I like to use bold, bright colors with black. The black absorbs some of the intensity of the red, blue, yellow and metallic accents.” Barb Brookbank says, “This is about how determined my grandson is – no matter what he is doing. I used black because it is authoritative and powerful and I thought it fit the theme of karate. I extracted my grandson from a background, ran a texture filter, and clipped him to this strong mask in a way which let the black dominate. I flipped the mask and put it on the diagonal to convey movement and strength.”
BLUE: Calming, comforting, soothing. People are more productive in blue rooms. Weight lifters can lift more in blue gyms.
Jennifer Matott used blue to create a sense of peace, calm, and meditation here. She says, “My sister is a yoga instructor and teaches others to be calm and mediative. I wanted to show her in that state along with the color blue that makes me feel calm, cool, collected.”
“The color was applied over gesso to allow it to stand out a bit and also create different tones of blue. I used soft embellishments and stamped into the gesso to create areas where the blue would puddle a bit. Try applying a color over white and then over a colored background to create variations of tone.”
Vicki Walters says, ” There is nothing more peaceful and soothing than being at the seaside with the blue skies and blue sea and the rhythm of the waves. Surrounded by the beautiful blues in nature is the most natural place to feel relaxed and peaceful.”
GREEN: Refreshing, quiet, natural, calming. That’s why they have “green” rooms at TV studios for performers to wait in.
Sue Althouse used green on this page for its quiet, calming effect. “The layout is about Firestone Farm as it looked in the 1880’s. We never miss a stop here on our visits to Greenfield Village. There’s always plenty going on, yet the pace is relaxed and unhurried. I chose to work with olive tones to give the layout a nostalgic, old-fashioned feeling. The white scallop border and coral floral patterns add to this affect, while providing contrast and variety.”
Audrey Tan used subtle shades of green here to mimic the calming influence of her dog has on her little boy. “The dog has certainly helped my boy to concentrate on his homework.”
RED: Stimulating, exciting, aggressive, dominant, dynamic, passionate, dangerous.
Chris Asbury used the color red for a high-contrast page featuring cardinals, which can be quite aggressive birds. Surviving in the snow requires the kind of dominance the red here evokes. The cardinals become the immediate focal point.
PINK: Tranquilizing. Some sports teams have painted the opponents’ locker room pink to sap their energy and dangerous criminals have been housed in pink cells. Debbie Hodge says, “I always think of the church fairs and cookie walk on the first Saturday of December as the start to our Christmas season. It’s a fun and relaxing day of visiting the churches and then having a long lunch. I accented ‘Cookie Walk’ with pinks and pale blues — both of which are calming — for a page that’s as relaxing as the day itself.”
YELLOW: Cheerful but it’s the most difficult color for the eye to take in. People lose their tempers more often in yellow rooms, and babies cry more.
Debbie Hodge says, “Candlepin bowling is an eastern New England, eastern Cananda kind of activity. We had great fun when our Hollywood relatives came for a fall visit and we bowled a few games together. I love yellow and I did want to evoke a cheery tone with this page. Using a herringbone in two-tone yellow and white keeps the yellow from overwhelming the page.”
WHITE: weak, passive, pure
Katie Scott says, “Looking forward to the Christmas Season, I want to keep this year’s celebration meaningful and simple, with less running around, spending, and stuff hoopla. This year we had simple beach Christmas card photos (and I let the kids pick their clothes) and a real tree (for the first time). I am going to put this layout in a frame in our kitchen to remind us all to keep this season calm and bright, simple and real.”
The white page base, with tone-on-tone title-work and doily paper, emphasizes the simple and pure sense Katie wanted to achieve. She says, “The blue from the water is calming and the setting sun gives us a glow. I lightened up the photo and added a white vignette in Picassa to make the photo look a bit more airy and light.”
Adryane Driscoll says, “I used white to evoke feelings of innocence, calm, and cold. With digital, getting all white elements is pretty simple. After placing the elements, I used a hue/saturation adjustment to achieve the desired tones, which range from white to an off-white. I also used brushes that were set to more of a gray tone to ground the three element clusters. To emphasize my theme, I used softer elements (crocheted snowflakes), clear crystals, white flowers and snow-covered branches. Surrounding the baby with the soft element clusters creates a nice protected space for him to dream his holiday dreams.”